Blockbusters and Birdwalks

GATEWAY CINEMA, a conversation – Episode 18: Conclusion: “Heathers”

Garrett Chaffin-Quiray

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.

***

Referenced media in GATEWAY CINEMA, Episode 18:

  • “Pump Up the Volume” (Allan Moyle, 1990)
  • “Stranger Things” (The Duffer Brothers, 2016-2025)
  • “The Breakfast Club” (John Hughes, 1985)
  • “Weird Science” (John Hughes, 1985)
  • “Fast Times at Ridgemont High” (Amy Heckerling, 1982)
  • “Superbad” (Greg Mottola, 2007)
  • “Dirty Harry” (Don Siegel, 1971)
  • “Donnie Darko” (Richard Kelly, 2001)
  • “Say Anything” (Cameron Crowe, 1989)
  • “The Wizard of Oz” (Victor Fleming, 1939)
  • “Mr. Robot” (Sam Esmail, 2015-2019)

Audio quotation in GATEWAY CINEMA, Episode 18: